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The young French robber Raoul Ivar appeared with his ship in a small harbor in the city of Porto Ferraio. He introduced himself as Jack Smith, but he was exposed: the English officer Griffin recognized the bold robber Raul Ivar in Smith. The British decide to capture his ship. A desperate adventurer is waiting for new challenges, but he is full of hope, courage and a thirst for freedom will help him in this struggle.
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Liczba stron: 844
Contents
PREFACE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
CHAPTER XXIII
CHAPTER XXIV
CHAPTER XXV
CHAPTER XXVI
CHAPTER XXVII
CHAPTER XXVIII
CHAPTER XXIX
CHAPTER XXX
PREFACE
It is difficult to say of which there is most in the world, a blind belief in religious dogmas, or a presumptuous and ignorant cavilling on revelation. The impression has gone abroad, that France was an example of the last, during the height of her great revolutionary mania; a charge that was scarcely true, as respects the nation, however just it might be in connection with her bolder and more unquiet spirits. Most of the excesses of France, during that momentous period, were to be attributed to the agency of a few, the bulk of the nation having little to do with any part of them, beyond yielding their physical and pecuniary aid to an audacious and mystifying political combination. One of the baneful results, however, of these great errors of the times, was the letting loose of the audacious from all the venerable and healthful restraints of the church, to set them afloat on the sea of speculation and conceit. There is something so gratifying to human vanity in fancying ourselves superior to most around us, that we believe few young men attain their majority without imbibing more or less of the taint of unbelief, and passing through the mists of a vapid moral atmosphere, before they come to the clear, manly, and yet humble perceptions that teach most of us, in the end, our own insignificance, the great benevolence as well as wisdom of the scheme of redemption, and the philosophy of the Christian religion, as well as its divinity.
Perhaps the greatest stumbling-block of the young is a disposition not to yield to their belief unless it conforms to their own crude notions of propriety and reason. If the powers of man were equal to analyzing the nature of the Deity, to comprehending His being, and power, and motives, there would be some little show of sense in thus setting up the pretence of satisfying our judgments in all things, before we yield our credence to a religious system. But the first step we take brings with it the instructive lesson of our incapacity, and teaches the wholesome lesson of humility. From arrogantly claiming a right to worship a deity we comprehend, we soon come to feel that the impenetrable veil that is cast around the Godhead is an indispensable condition of our faith, reverence, and submission, A being that can be comprehended is not a being to be worshipped.
In this book, there is an attempt to set these conflicting tendencies in a full but amicable contrast to each other, We believe there is nothing in the design opposed to probability; and it seems to us, that the amiable tenderness of a confiding but just-viewing female heart might, under the circumstances, be expected to manifest the mingled weakness and strength that it has here been our aim to portray.
We acknowledge a strong paternal feeling in behalf of this book, placing it very high in the estimate of its merits, as compared with other books from the same pen: a species of commendation that need wound no man. Perhaps some knowledge of Italian character is necessary to enjoy the vice-governatore(veechy-gov-er-na-to-re), and the podestà; but we confess they have given us, in reading over these pages for the first time since they were written, quite as much amusement as if they were altogether from an unknown hand.
As for the Mediterranean, that unrivalled sea, its pictures always afford us delight. The hue of the water; the delicious and voluptuous calm; the breathings of the storm from the Alps and Apennines; the noble mountain-sides basking in the light of the region or shrouded in mists that increase their grandeur; the picturesque craft; the islands, bays, rocks, volcanoes, and the thousand objects of art, contribute to render it the centre of all that is delightful and soothing to both the mind and the senses.
The reader will recollect the painful history of Caraccioli. We have taken some liberties with his private history, admitting frankly that we have no other authority for them than that which we share in common with all writers of romance. The grand-daughter we have given the unfortunate admiral is so much in accordance with Italian practices that no wrong is done to the moraleof Naples, whatever may be the extent of the liberty taken with the individual.
Nelson seems to have lived and died under the influence of the unprincipled woman who then governed him with the arts of a siren. His nature was noble, and his moral impressions, even, were not bad; but his simple and confiding nature was not equal to contending with one as practised in profligacy as the woman into whose arms he was thrown, at a most evil moment for his reputation.
There is nothing more repugnant to the general sense of rights, than the prostitution of public justice to the purposes of private vengeance. Such would seem to have been the reason of the very general odium attached to the execution of Admiral Prince Caraccioli, who was the victim of circumstances, rather than the promoter of treason. The whole transaction makes a melancholy episode in the history of modern Europe. We have made such use of it as is permitted to fiction, neither neglecting the leading and known facts of the event, nor adhering to the minuter circumstances more closely than the connection of our tale demanded.
CHAPTER I
"Filled with the face of heaven, which from afar Comes down upon the waters; all its hues, From the rich sunset to the rising star, Their magical variety diffuse: And now they change: a paler shadow strews Its mantle o’er the mountains; parting day Dies like the dolphin, whom each pang imbues With a new color as it gasps away, The last still loveliest, till–‘tis gone–and all is grey."Childe Harold.
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