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- Wydawca: Strelbytskyy Multimedia Publishing
- Kategoria: Kryminał
- Język: angielski
- Rok wydania: 2019
"Hop-Frog" (originally "Hop-Frog; Or, the Eight Chained Ourang-Outangs") is a short story by American writer Edgar Allan Poe, first published in 1849. The title character, a person with dwarfism taken from his homeland, becomes the jester of a king particularly fond of practical jokes. Taking revenge on the king and his cabinet for the king's striking of his friend and fellow dwarf Trippetta, he dresses the king and his cabinet as orangutans for a masquerade. In front of the king's guests, Hop-Frog murders them all by setting their costumes on fire before escaping with Trippetta.
Critical analysis has suggested that Poe wrote the story as a form of literary revenge against a woman named Elizabeth F. Ellet and her circle.
Edgar Allan Poe is also famous for such works as ''The Raven'', "The Cask of Amontillado", "The Fall of the House of Usher", "The Masque of the Red Death", "The Pit and the Pendulum", "The Murders in the Rue Morgue", "The Tell-Tale Heart", "The Gold-Bug", "The Black Cat", "The Facts in the Case of M. Valdemar", "Hop-Frog" and many more.
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HOP-FROG
of Edgar Allan Poe
"Hop-Frog" (originally "Hop-Frog; Or, the Eight Chained Ourang-Outangs") is a short story by American writer Edgar Allan Poe, first published in 1849. The title character, a person with dwarfism taken from his homeland, becomes the jester of a king particularly fond of practical jokes. Taking revenge on the king and his cabinet for the king's striking of his friend and fellow dwarf Trippetta, he dresses the king and his cabinet as orangutans for a masquerade. In front of the king's guests, Hop-Frog murders them all by setting their costumes on fire before escaping with Trippetta.
Critical analysis has suggested that Poe wrote the story as a form of literary revenge against a woman named Elizabeth F. Ellet and her circle.
Edgar Allan Poe is also famous for such works as ''The Raven'', "The Cask of Amontillado", "The Fall of the House of Usher", "The Masque of the Red Death", "The Pit and the Pendulum", "The Murders in the Rue Morgue", "The Tell-Tale Heart", "The Gold-Bug", "The Black Cat", "The Facts in the Case of M. Valdemar", "Hop-Frog" and many more.
I never knew anyone so keenly alive to a joke as the king was. He seemed to live only for joking. To tell a good story of the joke kind, and to tell it well, was the surest road to his favor. Thus it happened that his seven ministers were all noted for their accomplishments as jokers. They all took after the king, too, in being large, corpulent, oily men, as well as inimitable jokers. Whether people grow fat by joking, or whether there is something in fat itself which predisposes to a joke, I have never been quite able to determine; but certain it is that a lean joker is a rara avis in terris.
About the refinements, or, as he called them, the ‘ghost’ of wit, the king troubled himself very little. He had an especial admiration for breadth in a jest, and would often put up with length, for the sake of it. Over-niceties wearied him. He would have preferred Rabelais’ ‘Gargantua’ to the ‘Zadig’ of Voltaire: and, upon the whole, practical jokes suited his taste far better than verbal ones.
